Music

Metal cover of Erik Satie's Gnossienne No. 1, built around the original melody but pushed into a slower, heavier guitar arrangement.

Short metal track focused on a tight main riff, aggressive rhythm edits, and a compact arrangement that gets in and out fast.

Cover of the Preservation Hall Jazz Band track, rearranged as a short jazz version with brighter voicings and a looser feel.

Six-minute scene cue that moves from quiet tension into a denser final section, written more like a scene cue than a single.

Two-minute trailer-style cue shaped around a quick rise, release, and ending hit. Built for a trailer-style arc rather than a long-form track.

Main theme for the student film "Richter". A 38-second cue that has to establish danger quickly and leave room for the film's sound design.

End credits cue for the animation "Ray". At 22 seconds, it works as a short closing gesture after the film's disco-funk score.

Two-minute chase cue built for forward motion, quick cuts, and rising pressure. The structure stays direct so the scene keeps moving.

Combat cue for a martial arts scene, written around choreography timing and clear rhythmic accents for hits and movement.

Electronic track built around rhythmic displacement and a steady club pulse. The groove leans slightly off-center before settling in.

Dark electronic track with a minimal structure and a heavier low-end focus. More about pressure and texture than a big melodic hook.

Techno remix of the Belgian punk classic, keeping the track's frantic attitude while rebuilding it around a club-style rhythm section.

Electronic single with a bright, dance-focused feel and a clear throwback influence from older trance and club tracks.

Downtempo electronic track built around small details, soft movement, and a calmer pace than the club-oriented pieces.

Psychedelic electronic track with a faster pulse and filter-driven motion, written as a short high-energy experiment.